{"id":889,"date":"2021-04-15T19:52:57","date_gmt":"2021-04-15T17:52:57","guid":{"rendered":"https:\/\/still.inbetweenartfilm.com\/?page_id=889"},"modified":"2022-03-03T14:36:03","modified_gmt":"2022-03-03T13:36:03","slug":"contributors","status":"publish","type":"page","link":"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/","title":{"rendered":"Contributors"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.9.4&#8243; background_color=&#8221;#000000&#8243; custom_margin=&#8221;-15px||||false|false&#8221; custom_padding=&#8221;0px||7px|||&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.9.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;95%&#8221; max_width=&#8221;95%&#8221; custom_padding=&#8221;||3px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.9.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.9.4&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;ABC Web regular||||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;1.4em&#8221; custom_margin=&#8221;20px||20px||true|false&#8221; custom_padding=&#8221;30px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p class=\"p1\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/sculpting-through-film\/\"><b><span style=\"text-decoration: underline;\"><span style=\"color: #ffffff; text-decoration: underline;\">Yuri Ancarani<\/span><\/span><\/b><\/a>, Artist<br \/><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/sculpting-through-film\/\"><b><span style=\"text-decoration: underline;\"><span style=\"color: #ffffff; text-decoration: underline;\">Lucia Aspesi<\/span><\/span><\/b><\/a>, Assistant Curator, Pirelli HangarBicocca, Milan<br \/><span style=\"color: #ffffff;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/between-art-and-film-revisiting-the-exhibition-passages-de-limage\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Erika Balsom<\/b><\/a><\/span>, Reader in Film Studies, King\u2019s College, London<\/span><br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/while-bombs-are-dropping\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Ferran Barenblit<\/b><\/a><\/span>, Director, MACBA &#8211; Museu d\u2019Art Contemporani de Barcelona<br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/a-politics-of-memory\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Richard Birkett<\/b><\/a><\/span>, Independent Curator and Writer<br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/imprinting-parallel-histories\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Zoe Butt<\/b><\/a><\/span>, Artistic Director, The Factory Contemporary Arts Centre, Ho Chi Minh City<br \/><span style=\"color: #ffffff;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/on-viriditas-maybe-veritas-and-virtuality\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Barbara Casavecchia<\/b><\/a><\/span>, Writer, Contributing Editor, <em>frieze<\/em>, and Curator, The Current III, TBA21 Academy<\/span><br \/><span style=\"color: #ffffff;\"><b><span style=\"text-decoration: underline;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/the-earthbound-or-the-heart-of-a-tree\/\" style=\"color: #ffffff; text-decoration: underline;\">Teresa Castro<\/a><\/span>, <\/b>Associate Professor in Film Studies, Universit\u00e9 Sorbonne Nouvelle, Paris<\/span><br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/being-women-seeing-feminism\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Flavia Frigeri<\/b><\/a><\/span>, Art Historian and Chanel Curator for the Collection, National Portrait Gallery, London<br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/surveying-grandeur\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Karen Irvine<\/b><\/a><\/span>,<b> <\/b>Chief Curator and Deputy Director, Museum of Contemporary Photography\u00a0at Columbia College, Chicago<br \/><span style=\"color: #ffffff;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/on-transformation-transition-and-transcendence\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Hiwa K<\/b><\/a><\/span>, Artist<\/span><br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/afterimages-of-progress\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Nora N. Khan<\/b><\/a><\/span>, Writer, Editor, and Curator<br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/surveying-grandeur\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Cyrill Lachauer<\/b><\/a><\/span>, Artist<br \/><span style=\"color: #ffffff;\"><span style=\"text-decoration: underline;\"><b>C<a href=\"https:\/\/still.inbetweenartfilm.com\/en\/the-earthbound-or-the-heart-of-a-tree\/\" style=\"color: #ffffff; text-decoration: underline;\">lare Langan<\/a><\/b><\/span>, Artist<\/span><br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/distributing-dependency\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Mason Leaver-Yap<\/b><\/a><\/span>,<b> works with artists to make events, texts and exhibitions<\/b><br \/><span style=\"text-decoration: underline;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/while-bombs-are-dropping\/\"><b><span style=\"color: #ffffff; text-decoration: underline;\">Cristina Lucas<\/span><\/b><\/a><\/span>, Artist<br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/afterimages-of-progress\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Diego Marcon<\/b><\/a><\/span>, Artist<br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/transforming-worlds\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Hammad Nasar<\/b><\/a><\/span>, Senior Research Fellow, Paul Mellon Centre for Studies in British Art, and co-curator, <i>British Art Show 9<\/i>, London<br \/><span style=\"color: #ffffff;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/on-transformation-transition-and-transcendence\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Bonaventure Soh Bejeng Ndikung<\/b><\/a><\/span>, Founder and Artistic Director, SAVVY Contemporary, Berlin<\/span><br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/i-will-greet-the-sun-again\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Shirin Neshat<\/b><\/a><\/span>, Artist<br \/><span style=\"text-decoration: underline;\"><span style=\"color: #ffffff; text-decoration: underline;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/imprinting-parallel-histories\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Thao Nguyen Phan<\/b><\/a><\/span><\/span>, Artist<br \/><span style=\"text-decoration: underline;\"><span style=\"color: #ffffff; text-decoration: underline;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/a-politics-of-memory\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Adrian Paci<\/b><\/a><\/span><\/span>, Artist<br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/transforming-worlds\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Hetain Patel<\/b><\/a><\/span>, Artist<br \/><span style=\"text-decoration: underline;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/the-self-onscreen\/\"><b><span style=\"color: #ffffff; text-decoration: underline;\">Pavel Py\u015b<\/span><\/b><\/a><\/span>, Curator, Visual Arts, Walker Art Center, Minneapolis<br \/><span style=\"color: #ffffff;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/on-viriditas-maybe-veritas-and-virtuality\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Hito Steyerl<\/b><\/a><\/span>, Artist<\/span><br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/i-will-greet-the-sun-again\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Valentine Umansky<\/b><\/a><\/span>, Curator, International Art, Tate Modern, London<br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/stratigraphical-images\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Wang Tuo<\/b><\/a><\/span>, Artist<br \/><span style=\"text-decoration: underline; color: #ffffff;\"><a href=\"https:\/\/still.inbetweenartfilm.com\/en\/stratigraphical-images\/\" style=\"color: #ffffff; text-decoration: underline;\"><b>Yang Beichen<\/b><\/a><\/span>, Curator and Scholar<\/p>\n<p class=\"p2\">\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yuri Ancarani, ArtistLucia Aspesi, Assistant Curator, Pirelli HangarBicocca, MilanErika Balsom, Reader in Film Studies, King\u2019s College, LondonFerran Barenblit, Director, MACBA &#8211; Museu d\u2019Art Contemporani de BarcelonaRichard Birkett, Independent Curator and WriterZoe Butt, Artistic Director, The Factory Contemporary Arts Centre, Ho Chi Minh CityBarbara Casavecchia, Writer, Contributing Editor, frieze, and Curator, The Current III, TBA21 AcademyTeresa [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":37,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-889","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Contributors - STILL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Contributors - STILL\" \/>\n<meta property=\"og:description\" content=\"Yuri Ancarani, ArtistLucia Aspesi, Assistant Curator, Pirelli HangarBicocca, MilanErika Balsom, Reader in Film Studies, King\u2019s College, LondonFerran Barenblit, Director, MACBA - Museu d\u2019Art Contemporani de BarcelonaRichard Birkett, Independent Curator and WriterZoe Butt, Artistic Director, The Factory Contemporary Arts Centre, Ho Chi Minh CityBarbara Casavecchia, Writer, Contributing Editor, frieze, and Curator, The Current III, TBA21 AcademyTeresa [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/\" \/>\n<meta property=\"og:site_name\" content=\"STILL\" \/>\n<meta property=\"article:modified_time\" content=\"2022-03-03T13:36:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/still.inbetweenartfilm.com\/wp-content\/uploads\/2021\/03\/home-02.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"823\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/\",\"url\":\"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/\",\"name\":\"Contributors - STILL\",\"isPartOf\":{\"@id\":\"https:\/\/still.inbetweenartfilm.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/still.inbetweenartfilm.com\/wp-content\/uploads\/2021\/03\/home-02.jpg\",\"datePublished\":\"2021-04-15T17:52:57+00:00\",\"dateModified\":\"2022-03-03T13:36:03+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/#primaryimage\",\"url\":\"https:\/\/still.inbetweenartfilm.com\/wp-content\/uploads\/2021\/03\/home-02.jpg\",\"contentUrl\":\"https:\/\/still.inbetweenartfilm.com\/wp-content\/uploads\/2021\/03\/home-02.jpg\",\"width\":1600,\"height\":823},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/still.inbetweenartfilm.com\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Contributors\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/still.inbetweenartfilm.com\/#website\",\"url\":\"https:\/\/still.inbetweenartfilm.com\/\",\"name\":\"STILL\",\"description\":\"Studies on Moving Images\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/still.inbetweenartfilm.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Contributors - STILL","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/","og_locale":"en_US","og_type":"article","og_title":"Contributors - STILL","og_description":"Yuri Ancarani, ArtistLucia Aspesi, Assistant Curator, Pirelli HangarBicocca, MilanErika Balsom, Reader in Film Studies, King\u2019s College, LondonFerran Barenblit, Director, MACBA - Museu d\u2019Art Contemporani de BarcelonaRichard Birkett, Independent Curator and WriterZoe Butt, Artistic Director, The Factory Contemporary Arts Centre, Ho Chi Minh CityBarbara Casavecchia, Writer, Contributing Editor, frieze, and Curator, The Current III, TBA21 AcademyTeresa [&hellip;]","og_url":"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/","og_site_name":"STILL","article_modified_time":"2022-03-03T13:36:03+00:00","og_image":[{"width":1600,"height":823,"url":"https:\/\/still.inbetweenartfilm.com\/wp-content\/uploads\/2021\/03\/home-02.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/","url":"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/","name":"Contributors - STILL","isPartOf":{"@id":"https:\/\/still.inbetweenartfilm.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/#primaryimage"},"image":{"@id":"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/#primaryimage"},"thumbnailUrl":"https:\/\/still.inbetweenartfilm.com\/wp-content\/uploads\/2021\/03\/home-02.jpg","datePublished":"2021-04-15T17:52:57+00:00","dateModified":"2022-03-03T13:36:03+00:00","breadcrumb":{"@id":"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/still.inbetweenartfilm.com\/en\/contributors\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/#primaryimage","url":"https:\/\/still.inbetweenartfilm.com\/wp-content\/uploads\/2021\/03\/home-02.jpg","contentUrl":"https:\/\/still.inbetweenartfilm.com\/wp-content\/uploads\/2021\/03\/home-02.jpg","width":1600,"height":823},{"@type":"BreadcrumbList","@id":"https:\/\/still.inbetweenartfilm.com\/en\/contributors\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/still.inbetweenartfilm.com\/en\/"},{"@type":"ListItem","position":2,"name":"Contributors"}]},{"@type":"WebSite","@id":"https:\/\/still.inbetweenartfilm.com\/#website","url":"https:\/\/still.inbetweenartfilm.com\/","name":"STILL","description":"Studies on Moving Images","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/still.inbetweenartfilm.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/still.inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/pages\/889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/still.inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/still.inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/still.inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/still.inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/comments?post=889"}],"version-history":[{"count":5,"href":"https:\/\/still.inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/pages\/889\/revisions"}],"predecessor-version":[{"id":3357,"href":"https:\/\/still.inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/pages\/889\/revisions\/3357"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/still.inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/media\/37"}],"wp:attachment":[{"href":"https:\/\/still.inbetweenartfilm.com\/en\/wp-json\/wp\/v2\/media?parent=889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}