STILL

Studies on Moving Images

A research platform that features quarterly collections of commissioned texts investigating the field of artists’ moving images.

EDITORS’ NOTE

STILL: Chapter 3

Editorial team

DOUBLE EXPOSURE

Sculpting through Film

Yuri Ancarani in conversation with Lucia Aspesi

CLOSE-UP

Afterimages of Progress

Nora N. Khan on Monelle (2017) by Diego Marcon

CROSS-CUTTING

Distributing Dependency

Mason Leaver-Yap on reconditioning institutional production for artists

FIRST LOOK

Surveying Grandeur

Karen Irvine on Cyrill Lachauer’s Moon and Half Dome (Greetings to Muir and Adams) (2020)

EDITORS’ NOTE

STILL: Chapter 2

Editorial team

DOUBLE EXPOSURE

Imprinting Parallel Histories

Thao Nguyen Phan in conversation with Zoe Butt

CLOSE-UP

A Politics of Memory

Richard Birkett on Adrian Paci’s Interregnum (2017)

CROSS-CUTTING

Being Women: Seeing Feminism

Flavia Frigeri on the practices of Cecilia Mangini, Giosetta Fioroni, Marinella Pirelli, Laura Grisi, Ketty La Rocca, and Nicole Gravier

FIRST LOOK

Transforming Worlds

Hammad Nasar on Hetain Patel’s Don’t Look at the Finger (2017)

EDITORS’ NOTE

STILL: Chapter 1

Editorial team

DOUBLE EXPOSURE

I Will Greet the Sun Again

Shirin Neshat in conversation with Valentine Umansky

CLOSE-UP

While Bombs are Dropping

Ferran Barenblit on Cristina Lucas’s Unending Lightning (2015-ongoing)

CROSS-CUTTING

The Self Onscreen

Pavel Pyś reflects on “The Body Electric”

FIRST LOOK

Stratigraphical Images

Yang Beichen on Wang Tuo’s The Interrogation (2017)

STILL

Studies on Moving Images

A research platform that features quarterly collections of commissioned texts investigating the field of artists’ moving images.

 

EDITORS’ NOTE

STILL: Chapter 3

Editorial team

DOUBLE EXPOSURE

Sculpting through Film

Yuri Ancarani in conversation with Lucia Aspesi

CLOSE-UP

Afterimages of Progress

Nora N. Khan on Monelle (2017) by Diego Marcon

CROSS-CUTTING

Distributing Dependency

Mason Leaver-Yap on reconditioning institutional production for artists

FIRST LOOK

Surveying Grandeur

Karen Irvine on Cyrill Lachauer’s Moon and Half Dome (Greetings to Muir and Adams) (2020)

EDITORS’ NOTE

STILL: Chapter 2

Editorial team

DOUBLE EXPOSURE

Imprinting Parallel Histories

Thao Nguyen Phan in conversation with Zoe Butt

CLOSE-UP

A Politics of Memory

Richard Birkett on Adrian Paci’s Interregnum (2017)

CROSS-CUTTING

Being Women: Seeing Feminism

Flavia Frigeri on the practices of Cecilia Mangini, Giosetta Fioroni, Marinella Pirelli, Laura Grisi, Ketty La Rocca, and Nicole Gravier

FIRST LOOK

Transforming Worlds

Hammad Nasar on Hetain Patel’s Don’t Look at the Finger (2017)

EDITORS’ NOTE

STILL: Chapter 1

Editorial team

DOUBLE EXPOSURE

I Will Greet the Sun Again

Shirin Neshat in conversation with Valentine Umansky

CLOSE-UP

While Bombs are Dropping

Ferran Barenblit on Cristina Lucas’s Unending Lightning (2015-ongoing)

CROSS-CUTTING

The Self Onscreen

Pavel Pyś reflects on “The Body Electric”

FIRST LOOK

Stratigraphical Images

Yang Beichen on Wang Tuo’s The Interrogation (2017)